August Writing Group write up

In the August meeting of the Writing for Performance Group we looked at two scripts from the group; a short play by Tony Jones and the beginning of a play from Sandra Bendelow.

If anyone who didn’t make it along to the group wants to read and pass on any comments to the writers then feel free to do so. It is always useful to have more comments but more importantly reading others scripts and thinking about what works and what doesn’t will ALWAYS make you a better writer.

One member of the group, Catrin Fflur Huws, also shared two ideas, first a pitch for a new short play and secondly an idea that is part of the re-write of a play which involves a major piece of re-structuring. In addition Catrin has since shared the latest draft of her play To Kill A Machine. Please do take the time to read and we will talk a little more about the latest draft in the next meeting of the writing group. If you’re not sure you have time, or feel hesitant about sharing your views then please see above comment.

We discussed Town with No Traffic Wardens and whether we should or shouldn’t take the play forward for further development. After lots of discussion it was agreed that we should do a similar project which could include characters from Town with No Traffic Warden but we’ll find a new subject relevant to Aberystwyth. It was suggested that we could possibly use an existing story or play as base on which to adapt. It was also agreed that we would approach the writing of the play from a more collaborative perspective from the very start. We will begin to look at how we will approach this very soon but in the meantime everyone needs to get ideas and suggestions for the core idea for this play to the group as soon as possible. We need to think big initially, an idea that is relevant to Aberystwyth whilst having a universality to it too. Also everyone needs to think of plays or stories that could possibly be used as an underlying format for the play we write together. This play will be the project for the group in October/November next year.

We then did the following writing exercise, this should be done as automatic writing, don’t think about it just write. Give yourself the time pressure even if you do it alone. You can go back to it afterwards, tidy it up or develop it. But stick to the time constraint.

Take 5 minutes to write down as many words, phrases, sentences that you can think of when you hear the phrase – After the Party

Give yourself ten minutes and create two characters, one at a time, five minutes each, using the following questions, answer each question with a sentence or two only.

What is their name?

What is their physiology? (age, build, looks etc)

What is their sociology? (job, money, where do you live, marital status, family class, etc)

What is their psychology? (what are their concerns, fears, interests, passions, character flaws/strengths etc)

What is their flaw? What is stopping them getting what they want? (internal)

What is their goal? What does the character want? (internal)

Once you’ve created the two characters answer the following for both characters taking five minutes

Where are they?

What are they carrying?

What was the darkest dream they had last night?

What would they like to do to the other character?

Now take ten minutes and write twenty lines of dialogue, very fast, beginning a scene in which your characters meet. Write very fast – write the very first thing your brain throws up, even if it’s rude or boring or rubbish. A physical character-action counts as a line of dialogue.

For the next session – look at your scene again. Identify the moments where your character has acted, in some way. Where they’ve slagged off the other character, where they’ve retreated, where they’ve counter-attacked, where they’ve moved in for a reconciliation, where they’ve gone in for the kill.

Return to that first moment of decisive action. List four alternative things the character could have done. Instead of hitting him, could she smear his glasses up his face or kiss his eyelids.

The next meeting of the writing for performance group will take place on Tuesday 11th September in the RECORDING STUDIO. Please bring along anything that you want to be read, or send out in advance any work that you’d like the group to discuss.

Please try to bring along something whether it’s a re-worked version of the exercise we did last week, a piece of writing you are working on or an idea you would like to talk through.

Please remember to think about Town with No…..which we’ll call it until it gets a name and bring along any suggestions.

The deadlines for radio plays and the PlayPen project are getting closer, just a few months away, so if you haven’t come up with an idea yet GET THINKING. Then get writing and then write some more.

Remember a writer WRITES.

The writing exercises were from rewriter by Paul Chitlik and the Bruntwood playwriting site by Ben Musgrave.

After the Party is the theme of the next ScriptSlam at Sherman Cymru the deadline is 19th September further details are here.